Between 2011 and 2014 I gathered environmental sound recordings from South Gare, a man-made stretch of land along the North East coast of England. These recordings formed part of a doctoral research project, funded by the Arts and Humanities Research Council and undertaken at Creative Research into Sound Arts Practice (CRiSAP), University of the Arts, London.
The final and on-going act of research involved rebroadcasting the collected sounds back into the site before deleting them. The two films presented here examine the process and context of the work. They are audio-visual performance essays, constructed within the screen of a laptop in real-time. (Mark Peter Wright).
Please note these films are intended for laptop/computer screen playback only. Not for projection.
With thanks to: Prof. Angus Carlyle, Dr. Michael Gallagher, Helena Hunter, Prof. Cathy Lane, Dr. Salomé Voegelin and Julia Yezbick.
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Frampton, H. (1971) Nostalgia. [Film] [Internet] Available from: <https://www.youtube.com/watch?v=voMDL1TgTh4> [Accessed 20 December 2014].
Latham, J. (1964-68) Skoob Tower. [Performance] Various locations.
Lockwood, A. (1968-2014) Piano Burning. [Performance] Various locations.
Lucier, A. (1969) I am Sitting In a Room. [Performance] New York: MOMA.
Mayer-Schönberger, V. (2011) Delete: The Virtue of Forgetting in the Digital Age. New Jersey: Princeton University Press.
Metzger, G. (1961-1966) Auto Destructive Art. [Action] Various locations.
O’Gorman, M. (2015) Necromedia. Minneapolis: University of Minnesota Press.
Smithson, R. Non-sites (1968-1973) [Installation] Various locations.
Sterne, J. (2009) The Preservation Paradox in Digital Audio. In: Bijsterveld, K & Dijck, J.V. (2009) Sound Souvenirs: Studio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press, pp.55-65.
Westerkamp, H. (1998) Speaking From Inside the Soundscape. Stockholm: Conference on Acoustic Ecology, June 8-13.
Wright, M. P. (Ongoing) (Auto) Dialogical Feedback. [Site-specific performance] South Gare, UK.